The Neo Art’s Post

In the last years, the art world has been dealing with the issue of art ownership and its ethical and legal responsibilities. Cultural property laws have changed, awareness of past wrongs has grown and there is a desire to give back stolen objects; all these have made the provenance of artworks and antiques more problematical. Significant risks in relation to cultural heritage and finance confront collectors, museums, and galleries as they try to adapt themselves into this complex changing environment. https://lnkd.in/gg3kcauF

A virtual walk through artistic landscapes is a great way to deepen your knowledge of art history, get acquainted with masterpieces of world masters, and get inspired by creative ideas. Here's a selection of the most interesting virtual museums that will open up a new world of cultural heritage and help you better understand the visual culture of our time: 1) http://surl.li/wvyuef 2) http://surl.li/olyqrn 3) http://surl.li/wysxwj 4) http://surl.li/sydufx 5) http://surl.li/kiwffi 6) http://surl.li/ojcovh 7) http://surl.li/whfdah 8) http://surl.li/eoxord #VirtualGalleries #ArtandTechnology #DigitalArt

Responsible acquisition practices can empower collectors to contribute actively to the protection of global cultural heritage. By prioritising preservation of our shared human history, over the desire to acquire, collectors wield significant influence in fostering an ethical art market.  #duediligence #collecting #artcollector #artcollection #artadvisory

JOSHUA SEARLE MUSEO DEL ORO ROBADO MUSEUM OF STOLEN GOLD THU 13 JUN - SAT 10 AUG DAWN TO MIDNIGHT EXHIBITION (VIEW FROM 37 DAVEY STREET FRONT) CUBE 37, GLASS CUBE GALLERY Image: Joshua Searle, (installation detail) Joshua Searle (Australian/Colombian) examines and unpacks Pre- Columbian artefacts held in museum collections encountered through texts, as a means to further understand his own diasporic history and identity as an Australian-Colombian. From an initial examination of collective cultural identity and societal impact to a more individual personal exploration, this exhibition includes paintings exploring practices of institutional collecting and impact of colonisation. Searle undertakes a process of reclamation of his own identity as part of the colonial diaspora, and of the works themselves. Museo del Oro Robado (Museum of Stolen Gold) is a critique of institutionalised practices of theft. For the artist ‘stolen gold’ refers to both the literal and metaphoric gold taken by colonisation.

Navigating the Nuances: Understanding the Complexities of Valuing Contemporary Art #ContemporaryArt #ArtValuation #ArtMarketInsights #ArtInvestment #ArtAppraisal #ArtWorldChallenges #ArtCollecting #EmergingArtists #Avantiamfo #familyoffice

🎨 Exploring the nuances of valuing contemporary art 🖼️ In the ever-evolving landscape of art valuation, contemporary pieces present unique challenges and opportunities. Delve into the insightful analysis by Avantia Art & Finance on the complexities faced in assessing the worth of contemporary artworks. From market volatility to the subjective nature of artistic expression, this article offers a comprehensive perspective. Read more on the challenges of valuing contemporary art here: [Link to the article] #ArtValuation #ContemporaryArt #ArtMarket #Investing #ArtFinance #AvantiaArtFinance

It's easy to overlook a piece of art when surrounded by many other artworks, especially when it's this small! 🧐 This red-figure squat oil flask (lekythos) decorated with a swan is one of those pieces. It's these types of pieces where you have to ask yourself, "Why is it so small? Did they really only put oil in this thing? And what's the significance of the swan?" Ask these questions! Engage with the art and start the conversation, maybe you'll get new insight. 😉🦢 Attica, Greece; Classical period, ca. 450-400 BCE Ceramic vessel Tampa Museum of Art, Joseph Veach Noble Collection, 1986.082

Larger-Than-Life - Q - What references and stimuli does the classical form offer you ? A - The stimuli provided by anonymous artworks in museums contradict a modern obsession with originality and instead argue for a continuum. Another issue which I explore is the marginalisation of classical form and the loss of a datum for artisanal competence in contemporary art practice.

What colors are you drawn to? 🎨 How do they make you feel? 😉 What stories do they hold? ✅ Colour and sound has the power to HEAL... but did you know about “healing frequency"? I didn't! Healing frequency is an enveloping interplay between color and sound that will transport you through a calming exploration of your own consciousness! 🤩 Museum of the Modern Art:

The European and American modernist revolution of the late 19th and early 20th centuries reshaped traditional art, laying the foundation for contemporary art. In this course, you'll explore key works from Romanticism to pop art, along with the cultural and theoretical contexts that shaped them. Enroll ➡️ https://bit.ly/4gvlHmX #ClassSpotlight #ModernArt