Frieze

📢 Frieze Los Angeles returns to Santa Monica Airport from 20 – 23 February 2025. Early-bird tickets are now available, don’t miss out! We’re back for our sixth edition, featuring an expanded programme and more than 100 local and global galleries from 20 countries. Explore presentations from global names, as well as 14 galleries making their Frieze Los Angeles debuts. Curated for the second time by Essence Harden, the Focus section spotlights 12 emerging galleries to give a platform to the next generation of contemporary artists and art spaces. Frieze Los Angeles 2025’s curation also sees the return of Art Production Fund, the Deutsche Bank Frieze Los Angeles Film Award and the Frieze Impact Prize, and the fair will once again be at the centre of a week of cultural events across Los Angeles. Buy your tickets now: https://lnkd.in/dsm28WkR Global Lead Partner - Deutsche Bank #FriezeLA

Frank Auerbach, the German British painter whose expressionistic portraits captured the beauty and anguish of the human experience, has died, aged 93. Read more: https://lnkd.in/evPsuS_z

Finding a gift for the art-lover in your life can quickly transform a simple shopping list into an all-out curatorial project. In The Frieze Gift Guide, we’ve put together our favourites — from thoughtful stocking fillers and indulgent treats to the non-profits we recommend supporting — to simplify gifting in good taste this holiday season. Go to https://lnkd.in/e2YHj-DF to check out the full guide — or find it inside of the latest issue of frieze magazine. #Frieze #Issue247

5 Shows to See During West Bund Art & Design From Shuang Li’s meditations on communication, to Feng Zhixuan’s fusions of the organic and the inorganic, here’s what to see in Shanghai

The Best Shows to See During Art Week Tokyo From Ei Arakawa-Nash’s first Asian museum survey to a show of Maureen Gallace’s lean landscape paintings, here’s what to see in Tokyo now

What to see at No.9 Cork Street this November: Lehmann Maupin, Artwin Gallery and N/A

“All history is fraught and, as art historians, we are obligated to confront it.” — Kevin W. Tucker⁠ ⁠ Museum curators Valerie Cassel Oliver and Kevin W. Tucker discuss the evolving perceptions of Southern art, its complexities and its growing influence on the national and international art scene:⁠ ⁠ “The South is largely viewed through what was most visible about the region during the mid-20th century: the civil rights struggle. This vision of the South – a place defined by politics and racism, where enslavement of Black people took root, where there are deep cultural divisions – has really been codified and seared into people’s minds. There’s an arrested development of perception in terms of how people view the South.” — Valerie Cassel Oliver⁠ Read more online, or find the conversation in the latest issue of frieze. ⁠ ⁠ #Frieze #Issue247⁠ Images: ⁠ 1. Tyler Mitchell, Ancestors, 2021, archival pigment print, 1.3 × 1.6 m. Courtesy: © Tyler Mitchell⁠ ⁠ 3. Beverly Buchanan, Miss Alice Goes Visiting, 2004 Oil pastel on paper, 19.75 x 25 inches. Courtesy © Andrew Edlin Gallery⁠ ⁠ 5. Minnie Evans, Untitled, 1946–68, pencil, ink, crayon, oil on paperboard, 51 × 61 cm. Courtesy: © Family of Minnie Evans and High Museum of Art, Atlanta⁠ ⁠ 7. Sanford Biggers, Overstood, 2017, sequins, canvas, fabric, tar, glitter, polystyrene, Aqua-Resin, dimensions variable. Courtesy: © Sanford Biggers, Virginia Museum of Fine Arts, Pamela K. and William A. Royall Jr.⁠ ⁠ 9. Annie Mae Young, Housetop, variation, undated, fabric, 2.2 × 1.9 m. Courtesy: © Estate of Annie Mae Young, High Museum of Art, Atlanta, and Souls Grown Deep Foundation from the William S. Arnett Collection

THE NOVEMBER/DECEMBER ISSUE IS OUT NOW Issue 247 of frieze is dedicated to the artists, curators and writers living and working in the American South. What emerges here is a South in dialogue not just with itself and the rest of the country, but the world. Inside, Jamey Hatley profiles Suzanne Jackson as she prepared for her much-anticipated solo show at Ortuzar Projects in New York; Edna Bonhomme pens a thematic essay on the Caribbean diaspora in Miami; Curators Kevin W. Tucker and Valerie Oliver Cassell look at the art world in the American South; a roundtable discussion discusses the Vietnamese American diaspora; Jonas N.T. Becker uses photography to demystify extractivism in Appalachia, plus loads more. Find the latest issue in stores and online at frieze.com #Frieze #Issue247

Artwin Gallery presents Vladimir Chernyshev’s first solo exhibition in London, curated by Alesya Veremyeva. The exhibition delves into Vladimir Chernyshev’s varied methodologies, showcasing the documentation of land art projects, monumental mural drawings that will cease to exist after the display period, newly created objects, and paper works. The artist emphasises themes of decay and transformation, reflecting on the act of creation itself. On view at No.9 Cork Street from 1-16 November Images: 1.Vladimir Chernyshev, The Rooted Rainbow 4, 2024. Courtesy of Artwin Gallery. 2.Vladimir Chernyshev, Untitled. From the series ‘Red River’, 2023. Courtesy of Artwin Gallery.

‘The main demographic of this was not to be the vanguard of the art world. My key demographic was actually the 4 to 9-year-olds.’ Artist Conrad Shawcross (@conradshawcross) reflects on his sculptural commission Three Perpetual Chords (2015), a highlight of the discussion ‘Art in the Open’, hosted during Frieze Week by Frieze and Sloane Street (@sloanestreetsw1) Marking the grand transformation of Sloane Street into a green boulevard, and anticipating new public art projects across Chelsea, the discussion was held at the Cadogan Belmond (@belmondcadogan) on Sloane Street. Panellists also included artists Celine Condorelli (@celinecondorelli) and Shezad Dawood, Serpentine Chief Curator Lizzie Carey Thomas (@lizziect5), and Jayden Ali (@jaydenali) of JA Projects, who chaired the panel. Hit the link in bio to read highlights of the discussion, and get a sneak peak of Shezad Dawood’s project for The Gaumont on King’s Road, opening 2025. @galeriaveracortes @jhavericontemporary @barakat_contemporary @victoriamirogallery @serpentineuk