I Heard Her Call My Name Lyrics
Here she comes now, now
She's gone, gone, gone
Ready, ready, ready, ready, ready
Got my eyes wide open
[Pre-Chorus]
Ever since I was on cripple Monday
Got my eyeballs on my knees, aw baby, walkin'
I rapped for hours with Mad Mary Williams
She said she never understood a word from me because
[Chorus]
I know that she cares about me
I heard her call my name (Heard her call my name)
And I know that she's long dead and gone (Heard her call my name)
Still, it ain't the same (Heard her call my name)
Oh, when I wake up in this morning, mama (Heard her call my name)
I heard her call my name (Heard her call my name)
I know she's dead and long far gone (Heard her call my name)
I heard her call my name, then I felt my mind split open
[Guitar Solo]
[Verse]
Here she comes now, now
She's gone, gone, gone
Ready, ready, ready, ready, ready
Got my eyes wide open
Ever since I was on cripple Monday
Got my eyeballs on my knees
I rapped for hours with Mad Mary Williams
Said she never understood a word from me, oh
[Chorus]
I know she cares about me
I heard her call my name, workin' it in now (Heard her call my name)
I said that she's long dead and gone (Heard her call my name)
But still, she ain't the same (Heard her call my name)
But when I woke up in the morning, mama (Heard her call my name)
I heard her call my name, long gone (Heard her call my name)
I know she's dead and she's long far gone (Heard her call my name)
But still, I heard her call my name, and then my mind split open
[Guitar Solo]
About
“I Heard Her Call My Name”, which starts as a fairly straightforward rock song, with catchy backing vocals, has one of the loudest, weirdest and most aggressive solos in any Velvet Underground song. Maybe in any rock song up to that point. The atonal, feedback-filled solo is said to have been influenced by the Free-Jazz of Ornette Coleman. Reed said in 1989:
There were two sides of the coin for me. R&B, doo-wop, rockabilly. And then Ornette Coleman and Don Cherry, Archie Shepp, stuff like that. When I was in college, I had a jazz radio show. I called it “Excursion on a Wobbly Rail”, after a Cecil Taylor song. I used to run around the Village following Ornette Coleman wherever he played.”
This song shows both sides of that coin pretty well.
Lyrically, the narrator being crippled (disabled or damaged because of drug use), he has illusions of and hears the voice of his dead lover (or maybe his mother) calling his name. Knowing she’s long dead and gone, Lou gets his mind “split open” which may resemble the fact he can’t get his mind around the idea of him hearing his dead lover once again or a lobotomy because of the signs of a mental illness (schizophrenia). Maybe a ghost or maybe a hallucination.
Q&A
Find answers to frequently asked questions about the song and explore its deeper meaning
Sterling Morrison was not at all staisfied with the way this song was mixed:
I quit the group for a couple of days because I thought they chose the wrong mix for “I Heard Her Call My Name'” one of our best songs that was completely ruined in the studio.
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