Voiceover: Toward Great Art

The charm of a Voiceover is not only its versatility, such is the case, that on many occasions it seems different and yet in that same voice is the imprint of a softly colored tone that goes melodiously with the words, interpreting any writing, exhaling a meaning of each phrase that previously did not exist. The elegant diction, with obsessively trained naturalness and a charisma that the voice self-conveys only when the character, the Voiceover appears in front of that metal beacon that instead of emitting light receives it, the microphone. To common ears there will be no flattery, to the critical eye and ear there will be silence or a stateless admirer who applauds alone. That is: Voiceover's work has the ideal of perfection. There are no equivalences to other artists, nor to Michelangelo or Pavarotti or Van Gogh. Because talking is given to everyone and with that you already get ahead but talking with art places Voiceover, at the change of era, in its own place in Great art.

Someday someone will mention in the digital logs about how irreplaceable the human voice is as a material symptom of the Spirit and the diametral difference that it has been to do it with the infinite plasticity that others will make last to preserve their place in art.