Foundling Museum

Foundling Museum

Museums, Historical Sites, and Zoos

Explore compelling stories of love, loss and care through art and objects. Visit us Tuesday-Sunday.

About us

We present the story of the Foundling Hospital, the UK’s first children’s charity and public art gallery. Founded in 1739 by the campaigner Thomas Coram, it was an innovative home for children whose mothers couldn’t care for them, supported by some of the leading artists of the day including William Hogarth, George Frideric Handel and Charles Dickens. Their compassion and generosity show that art transforms lives. Inspired by our 300-year history of social change, today we work with outstanding contemporary artists, writers and musicians to deliver ambitious projects for young people and marginalised groups. With a focus on local communities, early years and care-experienced young people, our pioneering work delivers positive and lasting outcomes. Across the four floors of the Museum we present this relevant historic story through our art and objects. Discover objects and records from the original Foundling Hospital, extraordinary works of art and furnishings, thought-provoking exhibitions, plus a programme of events. You can visit us Tuesday-Saturday 10am-5pm, and Sunday 11am-5pm. Plus, we’re free for age 21 and under. _______________ Find out about hiring our rooms, from the striking Rococo Court Room to the contemporary Study Studio at foundlingmuseum.org.uk/venue-hire. As a registered charity all income from venue hire supports our work with marginalised and vulnerable children.

Industry
Museums, Historical Sites, and Zoos
Company size
11-50 employees
Headquarters
London
Type
Nonprofit
Founded
2004
Specialties
history, art, music, venue hire, and museum

Locations

Employees at Foundling Museum

Updates

  • This #GivingTuesday, we’re excited to launch our Big Give Christmas Challenge campaign🎄 Please support the UK’s only cultural institution celebrating care-experienced people to raise our goal of £20,000. Donations made to us this week will be doubled thanks to generous support from The Reed Foundation and others. Your support will enable us to continue exploring our compelling stories of love, loss and care through art, music and objects. ⭐️ Double your impact today – please donate here: https://bit.ly/3CWs9nW Thank you for supporting the Foundling Museum! #ChristmasChallenge [and other hashtags] 

    • Graphic of an adult and a child at the Foundling Museum, accompanied by the quote: 'A beautiful and deeply moving museum. I loved it from bottom to top, with a special preference for the ground floor, where the tokens are.' - Visitor comment
  • One donation, twice the impact.  We’re participating in the Big Give Christmas Challenge starting tomorrow to help us continue our award-winning work with young people and share our stories of love, loss and care. Can you help us raise £20,000 in one week? Donations made from noon on Tuesday 3 December until noon on Tuesday 10 December will be doubled, thanks to support from The Reed Foundation and others. Thank you for supporting the Foundling Museum and helping to spread the word 🎄 https://bit.ly/3CWs9nW #ChristmasChallenge

    • A woman and a young girl work on a clay project at a table, promoting the Foundling Museum’s role in highlighting care experiences. Includes 'Double your donation, 3-10 December' text.
  • This Christmas, help us continue our work with care-experienced young people, drawing on our unique history.  We’re participating in the Big Give Christmas Challenge to raise funds to continue exploring our compelling stories of love, loss and care through art, music and objects. All donations made between noon on Tuesday 3 December and noon on Tuesday 10 December will be doubled thanks to generous match funding from The Reed Foundation: £10 becomes £20, £25 becomes £50, £100 becomes £200. 📢 Watch this space for updates and please spread the word to help support this project.  #ChristmasChallenge 

    •  A forest green graphic with a description of the fundraiser, with a photograph of a smiling young woman alongside an adult and a child at the Museum.
  • 'Self-Made is a fresh look at an age-old subject...' Thank you The Wick for featuring our new exhibition, 'Self-Made: Reshaping Identities' 🎨 Read the article: https://lnkd.in/ecWDk6EN

    View organization page for The Wick, graphic

    974 followers

    Time for your Culturally Curious fix this week in London... 📍‘Hank Willis Thomas: Kinship of the Soul,’ Pace Gallery. Today – 21 December 2024. 📍 'Self-Made: Reshaping Identities,' Foundling Museum. Now – 1 June 2025. 📍‘María Berrío: The End of Ritual,' Victoria Miro. Today – 18 January 2025. Read more about our exhibition news on thewickculture.com.

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  • We were thrilled to host John Lewis & Partners's Made By Care brand launch in our ornate Picture Gallery. Shout-out to Rosie Baker and Jamie Ruers for helping bring this event to life 🥂

    View profile for Chloe Giles, graphic

    Communications Manager for Sustainability & Purpose at the John Lewis Partnership

    Today was nothing short of magical. We officially launched the latest range from the Made By Care brand to press. We transformed the picture gallery at the Foundling Museum and had a jam-packed agenda - from breakfast canapes, an inspiring speaker panel and an intimate performance from Brad Kella, the winner of Channel 4’s The Piano. Unforgettable. Huge thanks to our host, BBC Broadcaster and author Ashley John-Baptiste, along with our talented designer Izaac, and wonderful panelists Rosie Hanley, Ceira Thom, Polly Whitton (née Goodman), for bringing the story behind Made By Care to life. This launch took months of meticulous planning and an incredible amount of teamwork. Huge thanks to all the teams and suppliers involved (too many to list) for their hard work and unwavering support in making it such a success. Read more here: https://bit.ly/3Aa2sPx We did it! Michelle Stageman Sophie Brinsford Amy Butler Gill Rough Anna Butcher Sarah Scahill. Photography by Philip Panting. More to come in 2025...

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  • Some warm words from Alessandro Bucci, thank you. We too love the tokens, they are so moving and precious ❤️

    View profile for Alessandro Bucci, graphic

    Director (CEO) at Holocaust Centre North

    Today I was in London for work, but had enough time to pay a visit to The Foundling— a piece of London history, an hybrid object, my museum crush, and quite realistically one of the best museums in UK. I had forgotten how beautifully they have developed the “creating action, transforming lives” theme and how the hospital’s original story of “care” is at the heart of how the museum produces engagement with its stories of love, difficult choices, and loss. I am so inspired and hope that we articulate affectivity as powerfully at Holocaust Centre North, particularly as we also strive to “foster a culture of care.” The most moving display must be the wall showing the museum’s collection of “identifying tokens,” which were pinned to childrean in the event their mothers were one day in a position to take them home. Neither the name of the mother nor the baby would be recorded, so this token needed to be memorable and distinctive. The hospital's thinking was not as punitive as it sounds. To give the child the best shot at a new life, the governors thought it best to erase its old identity. In that single liminal moment, one history would be wiped out and another begun – a new name, some basic schooling and, in time, apprenticeship to a useful trade. One of the most extraordinary pieces of fabric in the exhibition belongs to Sarah Bender. Attached to her baby was a piece of elaborate patchwork, made up of bits of printed fabric, on which she had embroidered a heart in red thread. She retained the matching piece. Eight years passed. Then, one day, Sarah banged on the door of the Foundling Hospital and presented her piece of patchwork. Something in her circumstances must have changed. Charles, now Benjamin, would be coming home. This was one heart that had been mended.

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  • 16-year-old Yuliia escaped Ukraine with her mother and grandparents after their home was bombed by the Russian forces. Yuliia’s family spent several months living precariously, moving from country to country, before they were forced to return to Ukraine. This photo by Polly Braden gives us a peek into the sense of isolation that Yuliia felt during this turbulent period. We’re thrilled to share that it was longlisted for National Portrait Gallery’s Taylor Wessing Photo Portrait Prize 2024 and will be on display at their exhibition, opening in November! See the photograph in our current exhibition, 'Polly Braden: Leaving Ukraine': https://ow.ly/t1sm50RK0uM

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